Silent Film Revival.

Tonto Fielding was slighted by the Oscar Committee this year when his silent film, “The Treasonist,” was overlooked in favor of “The Artist.”

In fact, it is clear that I started the silent film revival, since I had been raising funds for my film’s production for the past twenty years. Clearly, it was my idea first. The Oscar committee informed me that my little film was turned down, because it had already been rejected at every film festival I had submitted it to, reciting some stupid rule about redundancy.

A young Napoleon Bonaparte, who is also played by Tonto Fielding, is portrayed as a poor and pretentious social climber, who narrowly escapes an adulterous scandal by declaring that it was done in the defense of Julia of Corsica.

Obviously, what was lost on the Academy, was that my portrayal was based on the traditions of abstract mime, where on the surface it appears that there is no central plot or character. This allows the audience to creatively formulate its own idea on the subject. Also lost on them, was the artistic inclusion of performing cows, dancing horses, geese, camels, llama's and happy dogs. This represented that the gossipers were completely without honor, and that everybody is flawed. Goodness does not depend on formal propriety and external sentimentalism, but lies deep within.

I guess I’ll have to go straight to DVD on this one, pending funding.